The Physics of 2012

The Physics of 2012

montalk.net :: (CC) 30 March 07 http://montalk.net/science/136/the-physics-of-2012

If the 2012 phenomenon is real, it appears to be more complicated than some assume. My research tells me that in no way does it imply the mass ascension of everyone on this planet, because that would go against the freewill of those who instead of being ready for a higher realm are stubbornly content with the lower. Nor will it happen precisely on December 21, 2012 because that date is supposedly based on only two things: when the Mayan calendar ends and when the sun on winter solstice overlaps the galactic center; the first is of questionable dating while the second already occurred in 1998. The Shift may in fact be more the dimensional effect of a broad wave whose central peak resides on or after 2012, whereby the years immediately before and after the peak might be just as significant. My best estimate is that the window of 2012-2032 is of greater importance than the winter solstice of 2012 itself.

What does the Shift entail? As best as I can tell, it is an ungluing of our consensual collective reality so that the dissonant sectors of the population can diverge onto separate time streams, and then into separate realms of existence altogether. It is a higher degree expression of the same Realm Dynamics underlying our daily experiences. At the moment we all share the same planet, and separation among people of incompatible learning paths amounts to geographic separation at best, but more usually involves a simple synchronistic barrier between them so that they rarely cross paths in life. But as the polarization increases and the repulsive tension between dissonant population sectors grow, and as conditions on this planet increasingly leave less room for everyone’s freewill to be accommodated in the same space and time, there will be increasing pressure for more extreme means of separation. According to Realm Dynamics, what begins as mere dislike between individuals can grow to parting of ways, a parting of timelines, and finally parting of dimensions. It is cellular mitosis on the hyper dimensional scale.

What causes the Shift? Why is it cyclical? Why does it relate to astronomical alignments? It may be that our solar system will be passing through a region of spacetime whose conditions vary greatly from our current region. Or perhaps rather than our going toward it, it is coming toward us. Either way, it is worth hypothesizing what physical mechanism could substantiate the Shift.

It’s possible that radiating outwardly from the galactic center are spiral arms of greatly altered gravitational potential. As our solar system moves around the galactic center, it will cyclically enter and exit these spiral arms so that all planets and the Sun experience a simultaneous change in their gravitational potential. Others may have hypothesized similarly, but in this article I will follow this concept through to its logical conclusion and show you why the implications profoundly explain everything we can confidently say concerning the Shift.

General Relativity: Reaching the Portal Threshold

The galactic center is a super massive black hole, and black holes are exits from our universe. To understand black holes, one must first understand gravity. All masses give off gravitational force fields that cause other masses to fall towards them and vice versa. But underlying this field is a more fundamental field known as the gravitational potential. To make an analogy, if the gravity force field is like the downward slope of a hill, then gravitational potential is the measure of height at any point on that slope. Or if the force field is like wind, the potential is like air pressure. It takes changes in gravitational potential over some distance to produce a gravitational force field, just as it takes changes in height to make a slope that things can roll down, or changes in air pressure to create wind. On earth, each height above the surface (or distance from planetary center) carries a different gravitational potential, which creates a “slope” pointing downward (to the center) causing objects to fall if released.

It is evident from Einstein’s Theory of General Relativity that the gravitational potential also sets the rate of time and scale of space. Clocks run slower and vertical rulers are shorter at lower altitudes because the gravitational potential is stronger there. A black hole is so compact and massive that its gravitational potential some distance away is already strong enough to slow time to a stop and shrink a dimension of space to zero. That distance is known as the event horizon, or the Schwarzschild radius. From our perspective, an object entering the event horizon will appear frozen in time, while the object itself is instantly propelled toward eternity and either ejected out of our physical universe or destroyed in the process.

Anyone entering a black hole will most likely be smushed to death because the changes in gravitational potential near the event horizon are so steep that the associated forces are too much to bear. But remember that it is the gravitational potential itself, and not the force field, that slows time and shrinks space. Therefore it is possible to have the same spacetime bending effects without any dangerous forces if the gravitational potential, despite being intense, varies very little within a given volume of space. It would be like a region of high air pressure without any wind. So as long as the spatial gradient in the gravitational potential is negligible, the potential itself can vary freely without accompanying forces.

Where things get interesting is what happens beyond the event horizon, or to put it another way, beyond the value of gravitational potential necessary to stop time. General Relativity has an equation showing how the gravitational potential determines time dilation:

As you can see, the more negative the gravitational potential, the greater the dilated time. Upon reaching a critical value, the potential causes the dilated time to become infinite, meaning that from our perspective the affected clock would take forever to reach the next second. In other words, that is when its time rate slows to zero. This critical value of potential may be called the portal condition:



The portal condition is found precisely at the event horizon of a black hole, but can exist elsewhere in gradient-free and thus force-free form. If the potential grows even more negative than the portal condition, then not only does the time rate shrink to zero, but it actually becomes imaginary. Unlike real quantities which are multiples of one, imaginary quantities are multiples of the square root of negative one, which in practical terms means “an impossibility in one dimension made possible in another.” What we know as everyday linear time is real time. Imaginary time can vary without a single second of real time ticking by, and so it is the only time that continues to exist after one crosses the portal threshold.

Quantum Physics: Beyond the Portal Threshold

Crossing the portal threshold is equivalent to breaking the speed of light, but without moving an inch. It ejects one from real spacetime into imaginary spacetime, which is called hyperspace according to physics, timespace according to the Ra Material, and antimatter or etheric universe according to the Cassiopaeans. If linear time (real time) is really a loop, then crossing zero time and entering hyperspace would mean exiting from that loop. From there, other loops would become open to exploration. These would be parallel timelines.

After one crosses the portal threshold, how does one navigate, where does one go? This is where Relativity leaves off and quantum physics steps in. When time rate is reduced to zero, there is no longer a difference between cause and effect. Rather these exist as a single state from start to finish, simultaneous and overlapping, like a movie reel just sitting there. These are causal or deterministic sequences, meaning sequences where cause leads to a predictable effect without any surprises on the way. Such surprises are called quantum choice points, places where time branches onto any number of alternate possibilities. These represent nondeterministic events whereby consciousness alone chooses from a multiple set of “movie reels” which one to play next. This choice is represented in quantum mechanics as a particular “quantum phase,” a single angle of alignment or position along the quantum wave function. What is the wave function? Unlike particles, which exist as tangible things in a single universe, a wave function is the collection of this particle’s possible states as existing across all its parallel universes simultaneously. When consciousness observes a wave function, it automatically selects from the wave a single phase to lock onto and turn into an tangible possibility to experience.

So after entering hyperspace, it is imaginary time and the fundamental quantum phase (perhaps they are the same thing) that provide the primary measure markers of navigation. After entering hyperspace, consciousness can automatically phase-lock onto the linear timeline of choice and emerge into it by punching back through the portal threshold into real spacetime.

The Shift as Macroscopic Quantum Wave Expansion

Now, what does this have to do with 2012? Possibly everything. As mentioned, the hypothesis given here is that the galactic center radiates waves or spiral arms of altered gravitational potential. According to the unified field theory, there are a variety of mechanisms to generate such waves. Whatever the mechanism, if the solar system undergoes a gravitational potential change that exceeds the portal condition, our reality would literally become unglued.

See, the reason we are currently sharing the same planet on the same timeline is because we are all phase-locked onto the same fundamental quantum phase and thus the same primary reality. Our individual instances of reality are bound together because we are collectively stuck at the bottom of the same gravitational potential well, like marbles piled together at the bottom of a depression in a rubber sheet. Incidentally, the portal threshold is the amount of potential required to overcome the potential well of the entire physical universe. If the marbles were elevated beyond the lip of the depression they could escape, and likewise if we experienced a boost in our gravitational potential, our collective reality would dissolve. And that is exactly what would happen if we passed through an sufficiently altered region of spacetime, or if a gravitational potential wave passed through us. I believe this is the key mechanism behind the Shift.

Let’s say that 2012-2032 does involve a cataclysmic alteration of our gravitational potential to the point where everything opens up. Then anything would go, anything is possible, future and past merge into a single moment of eternity, spacetime blows up into infinity, and consciousness is blasted into hyperspace. In the years leading up to this point, reality would simply become more plastic and responsive to our consciousness due to the changed gravitational potential loosening things up, but after that point reality would dissolve entirely. And after being tossed into hyperspace, consciousness would simply phase-lock onto whatever reality befits it. Far from being New Age speculation, this follows directly from a creative application of quantum and relativistic physics.

So what the Shift really means in this context is the unlocking of the gravitational chains that bind us to each other, so that a natural sorting or resettling process can occur where individuals can diverge onto new realities that best fit their own spiritual needs, realities that best resonate with their own quantum phase spectrum. The latter part is properly called a “macroscopic quantum wave collapse” — which is a term others have previously used, but here I tell you that this is only half the equation. The other half is meeting the portal threshold in the first place, which is the only way a tangible reality can be “uncollapsed,” and that requires a gravitational potential wave whose peak amplitude is beyond the portal threshold. Put another way, the Shift is a macroscopic quantum wave expansion followed by a macroscopic quantum wave collapse. It is the opening and closing of the door to our reality. The Sampo grinds once more!

What happens afterward depends on the individual in question. Those of the least spiritual polarization and awareness may, like birds too young to fly being tossed into the air, fall immediately back into a limited linear timeline without remembering anything different. Our memories are part of the linear timeline and change along with any alterations to that timeline. Others may have gained sufficient personal energy and spiritual polarization to no longer be stuck inside gravitational potential wells, giving them a new degree of freedom to enter and exit timespace / hyperspace at will. That level of existence is called “fourth density” but here I wish to give a technical hypothesis of what that really means: total quantum phase freedom and conscious navigation through imaginary time.

The Future in Your Hands

Ultimately this means that where (and when) we end up depends on where we need to end up, on the culmination of our spiritual choices in life, and on what resonates most with our soul natures, because it is these that determine what realities we access after entering hyperspace.

That’s why it’s incredibly unrealistic to say that come 2012 everyone on earth is guaranteed to ascend to a higher level. That scenario would violate the freewill of those not ready and encourage passivity since, with ascension being guaranteed, all one needs to do is sit around and wait until 2012 comes, which is no different from the Christian Rapture or other doomsday lifestyles that promote passively waiting for the end. As far as the common criticism goes that even the kind of Shift mentioned in this article is no different from Rapture theories since it deals with a “grand event” that leads to a “judging of people” — keep in mind that the criteria for the sorting process discussed here is based entirely on freewill and spiritual necessity rather than some backwards moralistic dogma, and that the only ones doing the judging are the individuals themselves (or rather their own higher selves).

Realm Dynamics explains why the principles underlying the Shift are the same ones active at a lower degree in our lives everyday. If you want to know what your quantum phase resonance is, look at the kind of experiences you are attracting right now. What is the “theme” of your life experiences? Are you madly clambering for material satisfactions, stepping over others to attain your ambitions? Do you constantly suffer misfortune after misfortune, hostility, and persecution? Or do you strive for greater awareness and balance, with your life having its regular share of miracles? There are a thousand further questions, but these should get you thinking.

To vector onto the optimal reality trajectory, it takes a combination of optimal attitude, awareness, and action. More on these in another future article, but see my research note on attitude vs awareness. The greater your awareness, the more harmonious your attitude, and the more responsible your actions, the more you resonate with positive probable futures. Leave one of these out and the triad is broken, imbalance arises, and problems inevitably creep in.

I believe that if we do our part to empower ourselves, assist others in need, and continually reinforce the connection with our inner voice of intuition and spiritual conscience, we will ever come closer to remembering who we are and why we are here. With this “blueprint” of higher awareness fully activated in our souls, what precipitates from the hyperdimensional state is a new reality in full harmony with that blueprint.

A Wrinkle in Time

It was a dark and stormy night; Meg Murry, her small brother Charles Wallace,
and her mother had come down to the kitchen for a midnight snack when they were upset by the arrival of a most disturbing stranger."Wild nights are my glory, " the unearthly stranger told them. "I just got caught in a downdraft and blown
off course. Let me sit down for a moment, and then I'll be on my way. Speaking
of way, by the way, there is such a thing as a tesseract."A tesseract (in case
the reader doesn't know) is a wrinkle in time. To tell more would rob the reader
of the enjoyment of Miss L'Engle's unusual book.

Madeleine L’Engle, Children’s Writer, Is Dead

By DOUGLAS MARTIN
Published: September 8, 2007
Madeleine L’Engle, who in writing more than 60 books, including childhood fables, religious meditations and science fiction, weaved emotional tapestries transcending genre and generation, died Thursday in Connecticut. She was 88.
Her death, of natural causes, was announced today by her publisher, Farrar, Straus and Giroux.

Ms. L’Engle (pronounced LENG-el) was best known for her children’s classic, “A Wrinkle in Time,” which won the John Newbery Award as the best children’s book of 1963. By 2004, it had sold more than 6 million copies, was in its 67th printing and was still selling 15,000 copies a year.

Her works — poetry, plays, autobiography and books on prayer — were deeply, quixotically personal. But it was in her vivid children’s characters that readers most clearly glimpsed her passionate search for the questions that mattered most. She sometimes spoke of her writing as if she were taking dictation from her subconscious.

“Of course I’m Meg,” Ms. L’Engle said about the beloved protagonist of “A Wrinkle in Time.”

The “St. James Guide to Children’s Writers” called Ms. L’Engle “one of the truly important writers of juvenile fiction in recent decades.” Such accolades did not come from pulling punches: “Wrinkle” is one of the most banned books because of its treatment of the deity.

“It was a dark and stormy night,” it begins, repeating the line of a 19th- century novelist Edward George Bulwer-Lytton, and presaging the immortal sentence that Snoopy, the inspiration-challenged beagle of the Peanuts cartoon, would type again and again. After the opening, “Wrinkle,” quite literally, takes off. Meg Murray, with help from her psychic baby brother, uses time travel and extrasensory perception to rescue her father, a gifted scientist, from a planet controlled by the Dark Thing. She does so through the power of love.

The book used concepts that Ms. L’Engle said she had plucked from Einstein’s theory of relativity and Planck’s quantum theory, almost flaunting her frequent assertion that children’s literature is literature too difficult for adults to understand. She also characterized the book as her refutation of ideas of German theologians.

In the “Dictionary of Literary Biography,” Marygail G. Parker notes “a peculiar splendor” in Ms. L’Engle’s oeuvre, and some of that splendor is sheer literary range. “Wrinkle” is part of her “Time Fantasy” series of children’s books, which includes “A Wind in the Door,” “A Swiftly Tilting Planet,” “Many Waters” and “An Acceptable Time.” The series combines elements of science fiction with insights into love and moral purpose that pervade Ms. L’Engle’s writing.

Ms. L’Engle’s other famous series of books concerned another family. The first installment, “Meet the Austins,” which appeared in 1960, portrayed an affectionate family whose members displayed enough warts to make them interesting. (Perhaps not enough for The Times Literary Supplement in London, though; it called the Austins “too good to be real.”)

By the fourth of the five Austin books, “A Ring of Endless Light,” any hint of Pollyanna was gone. Named a Newbery Honor Book in 1981, it told of a 16-year-old girl’s first experience with death. Telepathic communication with dolphins eventually helps the girl, Vicky, achieve a new understanding of things.

“The cosmic battle between light and darkness, good and evil, love and indifference, personified in the mythic fantasies of the ‘Wrinkle in Time’ series, here is waged compellingly in its rightful place: within ourselves,” Carol Van Strum wrote in The Washington Post in 1980.

Madeleine L’Engle Camp was born in Manhattan on the snowy night of Nov. 29, 1918. The only child of Madeleine Hall Barnett and Charles Wadsworth Camp, she was named for her great-grandmother, who was also named Madeleine L’Engle.

Young Madeleine’s mother came from Jacksonville, Fla., society and was a fine pianist; her father was a World War I veteran who worked as a foreign correspondent and later as drama and music critic for The New York Sun. He also knocked out potboiler novels.
The family lived on the Upper East Side of Manhattan; her parents had artistic friends, Madeleine an English nanny. She felt unpopular at school. She recalled that an elementary school teacher – Miss Pepper or Miss Salt, she couldn’t remember which — treated her as if she were stupid.

She had written her first story at 5 and retreated into writing. When she won a poetry contest in the fifth grade, her teacher accused her of plagiarizing. Her mother intervened to prove her innocence, lugging a stack of her stories from home.

When she was 12, she was sent to a boarding school in Switzerland, Chatelard, and at 15 to Ashley Hall, a boarding school in Charleston, S.C. She graduated from Smith College with honors in English. (She took no science, often a surprise to readers impressed with her science fiction.)

Returning to New York, Ms. L’Engle began to get small acting parts. She wrote her first novel, “The Small Rain,” in 1945 and had several plays she wrote produced.

She met the actor Hugh Franklin when both were appearing in a production of Chekhov’s “The Cherry Orchard.” They married in 1946, and their daughter Josephine was born the next year. In 1951, when Ms. L’Engle became pregnant again, they moved to the small town of Goshen, Conn., where they bought and ran a general store. Their son, Bion, was born in 1952, and in 1956 they adopted another daughter, Maria.

Mr. Franklin died in 1986 and Bion in 1999. Ms. L’Engle is survived by her daughters, Josephine F. Jones and Maria Rooney; five grandchildren; and five great-grandchildren.

Ms. L’Engle’s writing career was going so badly in her 30s that she claimed she almost quit writing at 40. But then “Meet the Austins” was published in 1960, and she was already deeply into “Wrinkle.” The inspiration came to her during a 10-week family camping trip.

That was just the start. She once described herself as a French peasant cook who drops a carrot in one pot, a piece of potato in another and an onion and a piece of meat in another.

“At dinnertime, you look and see which pot smells best and pull it forward,” she was quoted as saying in a 2001 book, “Madeleine L’Engle (Herself): Reflections on a Writing Life,” compiled by Carole F. Chase.

“The same is true with writing,” she continued. “There are several pots on my backburners.”

Her deeper thoughts on writing were deliciously mysterious. She believed that experience and knowledge are subservient to the subconscious and perhaps larger, spiritual influences.

“I think that fantasy must possess the author and simply use him,” she said in an interview with Horn Book magazine in 1983. “I know that is true of ‘A Wrinkle in Time.’ I cannot possibly tell you how I came to write it. It was simply a book I had to write. I had no choice.

“It was only after it was written that I realized what some of it meant.”

What turned out to be her masterpiece was rejected by 26 publishers. Editors at Farrar, Straus and Giroux loved it enough to publish it, but told her that she should not be disappointed if it failed.

The family moved back to New York, where Hugh Franklin won fame as Dr. Charles Taylor on the popular soap opera “All My Children.” For more than three decades, starting in 1966, Ms. L’Engle served as librarian and writer-in-residence at the Cathedral Church of St. John the Divine. One or two of her dogs often accompanied her to the cathedral library.

Much of her later work was autobiographical, although sometimes a bit idealized; she often said that her real truths were in her fiction. Indeed, she discussed her made-up stories the way a newspaper reporter might discuss his latest article about a crime.

When her son, then 10, protested the death of Joshua in “The Arms of the Starfish” (1965), she insisted that she could not change the tale, which was still unpublished at the time.

“I didn’t want Joshua to die, either,” Ms. L’Engle said in 1987 in a speech accepting the Margaret Edwards Award from the American Library Association for lifetime achievement in writing young adult literature, one of scores of awards she received.

“But that’s what happened. If I tried to change it, I’d be deviating from the truth of the story.”

Her characters continued living their lives even if she hadn’t mentioned them for decades. She had gotten word that Polly O’Keefe, who appeared in three books of the “Time Fantasy” series, was in medical school, she said a few months before the library speech.

A woman wrote her to say that she herself was a first-year medical student at Yale and that she would love to have Polly in her class. Ms. L’Engle said fine, and the student went to the registrar’s office to sign up Polly as an “official” Yale medical student.

“Why does anybody tell a story?” Ms. L’Engle once asked, even though she knew the answer.

“It does indeed have something to do with faith,” she said, “faith that the universe has meaning, that our little human lives are not irrelevant, that what we choose or say or do matters, matters cosmically.”


And on the other side of the pond another Madeleine's story grows ever more gruesome and dark. Young Madeleine McCann's Mother & Father were officially charged as suspects by the Portugese police today. At the beach of light hearts grow dim and darkness descends.


But there is always, always hope.

Wish upon a star or a Wrinkle in Time.

The Mysteries of Life

Seems like we're just plopped down here and don't noboby know why

From as far back as I can remember I have been filled with questions that no one could answer, and always the biggest question was who am I? Oh I see that reflection of me there in the mirror, but is that really me? As a child I would spend hours staring into the mirror trying to see deep into my own eyes, searching, searching for the answer of who was in there hidden behind those eyes. I'm still searching, still wondering, who is that, what is that, this strange observer watcher hidden behind the mask of who we really think we are.

Quantum physicists say that we create our reality, although this is a simplistic way of talking about some extremely complex science. They also say that time travel must be possible, but as far as I know, they don't say that our lives are pre-determined and that we are simply walking through pre-ordained experiences. The question of whether or not human beings have what has come to be known as "free will" is something that both religion and philosophy have questioned throughout the ages. If, as quantum science teaches, there are many (perhaps an infinite number of) parallel universes, it may be that the choices we make determine which one we'll find ourselves in. That could be where our free will comes in. And could one of these universes be what so many religions call "heaven?"

And why have I always had this strange "feeling" that I am here to do something, some purpose that only I can find out. And strangely, it seems we all have this strange feeling hidden within us, we all feel some calling.

Film _Matrix: Reloaded_

Architect: Hello, Neo.
Neo: Who are you?
Architect: I am the Architect. I created the Matrix. I've been waiting
for you. You have many questions, and though the process has altered your
consciousness, you remain irrevocably human. Ergo some of my answers you will
understand, and some of them you will not. Concordantly, while your first
question may be the most pertinent, you may or may not realize it is also the
most irrelevant.
Neo: Why am I here?
Architect: Your life is the sum of a remainder of an unbalanced equation inherent to the programming of the Matrix. You are the eventuality of an anomaly, which, despite my sincerest efforts, I have been unable to eliminate from what is otherwise a harmony of mathematical precision. While it remains a burden assiduously avoided, it is not unexpected,and thus not beyond a measure of control. Which has led you, inexorably...

here.

Neo: You haven't answered my question.
Architect: Quite right.
Interesting. That was quicker than the others.

Stay tuned......................

This is as I, will dream it to be...

I saw the horses that carried the souls of those who thought they were sick and dying ride into the clouds their tails streaming behind them...and as they began to touch the darkness beyond the clouds their tails and manes became as brilliant multicolored fire, with their hoofbeats becoming a deafening roar...then I heard the laughter of the children they had once been rise above the sounds...and they called "look oh brothers and sisters, truely the weight of the illusion is lifted from us"...and the ramuda of lights became so many as to not be countable, streaking across the heavens so brghtly that even the sun could not dim their brightness...

Then I saw the elders sitting in the circles of the world, saying "what must we do to stop the suffering?" and into their circles the Owl flew to rest on the centerpole of the lodge. Many said "It is the Owl, great mystery is upon us", while others said "It is the Owl, disaster is near", and while still others said "It is the Owl, someone will be plucked from the illusion"... Then the Owl spoke, and as he did the smoke in the lodges began to churn and become two, side by side pictures of what was to come. "I am Owl, the watcher of all dreams, and I have a message. Both of these paths are possible, but only one will be chosen"...In the smoke shapes formed events, on one side was the decimation of a planet and its peoples...Wars fought with clubs and sticks and even humans feasting on others as all other food became tainted with the foulness of the wars. Disease and pain were rampant, as was cruelty and suffering...

In the other smoke was a planet of plenty and Spirit where it's peoples created all they needed as easily as thinking it, where creation was honored and life within the illusion was recognized as a step, not a destination. The animals had voices and the people heard and understood their wisdom, and the Spirits of those who had left the illusion gave wisdom to those still within. In this illusion the trappings of time were recognized as simple reminders to live to the fullest, and they held no fear for those there. Again the Owl spoke. "If you would live in the first world, you have only to continue as you are. The prophesied times are upon you, and you have chosen to dream this lesson into your world... But, if you would live in the second world, you have only to rechoose your dream. Once chosen, it will change the path of the prophesies, and your intent in every action will create the new illusion..."

I saw the elders in the circles begin to choose, some in the first direction, others in the other, until all had made the choice, and while I could not understand why any would choose the first, I knew that Creator had a reason for the choice. Then all at once I saw the very fabric of the illusion multiply into two, not as one and a new one, but two old ones that were close together. They merged and the rules of creation changed, where each could manifest their destiny according to their chosen intent, with a single thought...And once again they split into two, the two illusions mirroring the events of the smoke shapes. I stood in a lodge in the second illusion, as I had chosen, with the other elders that had done the same. The Owl slowly looked at us all once more, and flew off... We stepped out of the lodge to see a bright sky full of fiery horses thundering across the sky, and riding all upon them were the Spirits of those who had thought they were sick or dying, each flaming with energy and health so intense, that the sun grew brighter from their energy as they passed...and as we listened above the sound of our own joyous hearts, we could plainly hear their voices sounding like children reborn, as they flew overhead ... and laughed...

This is as I saw it, this is as it was. This is as I, will dream it to be...

- Mitakuye dysasin ... nake nula waun -